Crochet artist Mulyana showcases environmental tapestries at Wang Center


Judith Greiman Chief Deputy to the President, Senior Vice President for Government and Community Relations | Stony Brook University

Bullied in his youth for his interests, Mulyana has become a celebrated play crochet artist. He recently discussed his exhibition, "Yarnscapes: Mulyana’s Environmental Tapestries," at the Charles B. Wang Center on October 24.

Jinyoung Jin, Director of Asian Art and Culture at the Wang Center, introduced Mulyana to an audience of crochet enthusiasts and art lovers. Jin stated, “Mulyana’s work invites us into a world where ordinary materials — like yarn — are transformed into extraordinary, vibrant textile landscapes. Mulyana is an extraordinary artist whose work redefines the boundaries of crochet and textile art.”

Jin further commented on Mulyana's unique approach: “What sets Mulyana apart is his ability to bring a sense of playfulness and depth to his art, while also challenging us to reconsider the potential of what we often view as ordinary. His work is not only visually captivating but also speaks to larger themes of sustainability and the beauty of repurposing materials, making his art both timely and timeless.”

Mulyana explained that his interest in modular creativity influences his art. He said, “In my work, modularity allows individual elements to be detached, combined and reassembled. This not only provides flexibility in how the artwork is displayed but also enhances the viewer’s experience as they witness its transformation in different configurations.”

His artwork often includes participatory engagement with environmental themes and marine life. “I want viewers to not only observe the artwork but also touch, feel and sometimes even change it. This participatory element invites them to become part of the creative process,” he shared.

On a personal note, Mulyana described crochet as more than just an artistic process for him: “The crochet technique I use is not merely an artistic process; it’s a direct extension of my body. Every stitch and knot represents a physical interaction between me and the materials, creating a deep connection between my body and the artwork I produce.”

The exhibition will be open at the Wang Center until December 10.

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